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Download, Watch online The Kids Are All Right Movie.
| Genres: | ComedyDr |
| Starring: | Mark Ruffalo, Julianne Moore, James MacDonald, Annette Bening, Josh Hutcherson, Yaya DaCosta, Kunal Sharma |
| Director(s): | Lisa Cholodenko |
| Available Quality: | DivX, DVD, Hi Def, iPod, Hi Def, Hi Def |
| Country: | USA |
| Year: | 2010 |
| IMDB Rating: | 7.2 |
Nic and Jules are in a long term, committed, loving but by no means perfect relationship. Nic, a physician, needs to wield what she believes is control, whereas Jules, under that control, is less self-assured. During their relationship, Jules has floundered in her nine to five life, sometimes trying to start a business - always unsuccessfully - or being the stay at home mom. She is currently trying to start a landscape design business. They have two teen-aged children, Joni and Laser, Nic who is Jonis biological mother, and Jules who is Lasers biological mother. Although not exact replicas, each offspring does more closely resemble hisher biological mother in temperament. Joni and Laser are also half-siblings, having the same unknown sperm donor father. Shortly after Jonis eighteenth birthday and shortly before she plans to leave the house and head off to college, Laser, only fifteen and underage to do so...DVD Quality PC, Mac, PS3 and XBOX 360 COMPATIBLE
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The Kids Are All Right (iPod) | Resolution: 480x256 px | Total Size: 306 Mb |
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The Kids Are All Right (Hi Def) | Resolution: 852x464 px | Total Size: 680 Mb |
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The Kids Are All Right (Hi Def) | Resolution: 1920x1040 px | Total Size: 8124 Mb |
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The Kids Are All Right (Hi Def) | Resolution: 1280x696 px | Total Size: 4469 Mb |
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The Kids Are All Right (DVD) | Resolution: 720x384 px | Total Size: 1279 Mb |
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The Kids Are All Right (DivX) | Resolution: 640x352 px | Total Size: 699 Mb |
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The Kids Are All Right (DivX) | Resolution: 640x352 px | Total Size: 701 Mb |
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Movie Photos: We have taken some photos of "The Kids Are All Right". They represent actual movie quality.
Visitor Reviews: (20)
Michael_Elliott 03 May 2012
Excellent Performances and Script
Kids Are All Right, The (2010)**** (out of 4)Alternative story of married lesbians (Julianne Moore, Annette Bening)whose lives turn upside down after their children (Mia Wasikowska, JoshHutcherson) decide to look up the man (Mark Ruffalo) who donated hissperm. At first everything is going as planned, although the Beningcharacter isn't too thrilled with having this man in their lives butsoon everything goes wrong as Moore strikes up a sexual relationshipwith him. The art-house world is full of alternative films that rarelyleak over into the mainstream but it's nice to see something like THEKIDS ARE ALL RIGHT gaining a wider audience than a film like thisnormally would have. I'd be lying if I said I understood what theentire point of the film is but I must confess that I fell in love witheach and every character here. In the day and age of CGI robots andspaceships it's rather nice seeing a film that relies on performancesand characters. The idea of having a lesbian family having their livesturned upside down when the man who donated the sperm shows back up intheir lives is a very quirky situation and for 95% of the running timethe film is non-stop laughs. The majority of the film is full of slyperformances and witty dialogue, which ranges from various sex talk tojust the kids trying to get to understand their gay mothers and thefather they've never known. I loved the early scenes where the kids goto meet their "dad" and the eventual impact this has on the Beningcharacter, the "man" of the family so to speak. Her jealousy and howthis leads to the eventual affair by Moore made for some very funnymoments including one dealing with a Mexican worker who knows what'sgoing on when his boss goes into the client's room. The film does avery good job at giving every character their own personality and Ithought the film perfectly showed all of them growing and taking formthroughout the running time. There's no question this is a characterstudy and I thought each character was written so well that youcouldn't help but love them and want to see each of them happy. Thefinal twenty-minutes is when the laughs stop and we head towards thedramatic stuff but once again it's simply written so well that youcan't help but fall for it all. The performances by the entire cast arewonderful with Benning and Moore delivering yet another strong film totheir resume. It's really great seeing such fine actresses gettingthese type of roles at this stage of their career but both of themshould be remembered come awards season. I guess the simplest thingthat can be said about them is that they bring their characters to lifeand have no issues handling both the laughs and drama. Wasikowska isalso terrific in her role and the maturity she brings to the characteris just one reason why she's certainly someone to keep an eye on.Ruffalo has been an actor that never got the credit he deserves and Ithink that is holding true with this film. I'd say he's the mostimportant character and performance in the film as he's the one in thecenter of all the laughs and drama. Ruffalo is so incredibly charmingthat you understand why everyone would fall for him and you also carewhat happens to him. THE KIDS ARE ALL RIGHT might have something to saybut again, I'm not certain what it is. That really doesn't matterbecause in the end this is a film with a terrific screenplay brought tolife with some wonderful performances. The comedy works. The dramaworks. All of that makes this one of the more interesting films of2010.
Danny Blankenship 02 May 2012
Not your ordinary family, a good drama that's complex filled with emotions, anger, and most important love!
In today's world most know that the average family is a thing of thepast, as the mom and dad roles have declined. As many children areraised by a single parent, as the mom and dad thing is not the norm.Well as this drama "The Kids Are All Right" shows it' not mom and dad,but mom and mom! As the raising of kids by gay and even lesbian coupleshas taken an upswing and this film shows it in a vibrant yet complexway.In a suburban California town this film gives an in depth picture oftoday's modern American family. Starring two of the best working womenin the business of film that's Annette Bening and Julianne Moore as Nicand Jules respectively they seem just like your average couple raisingtheir two teen kids Joni(Mia Wasikowska)a bright minded and book wormgirl and Laser(Josh Hutcherson)a young man searching for direction. Andwhen these eager kids decide to track down their sperm donor dadPaul(Mark Ruffalo) this film takes unexpected turns and the wholerelationship of Nic and Jules becomes complex and strained it reallytest their emotions and staying power.As you the viewer will see the term family becomes re-defined andthings are thought about in a different light. After Jules falls forPaul she will have to question not only her relationship status withNic, but her sexual preference is in question. As can the hot andpassionate steamy lustful sex she's having with Paul turn her straight?Only when it's all revealed even after Jules's has once again chosenNic it proves that in tough times when emotions are damaged as nomatter how complex that life and relationships seem love conquers allin the end even for any couple gay or straight.Overall fun and a sexy and emotional charged film that most will enjoyit's carried by the strong and brave emotional performances from Mooreand Bening. Proving once again in today's age relationships are complexas life is still a searching journey that rocks emotions, yet in theend love that's powerful saves the day and it lasts keeping the wholefamily just right.
01 May 2012
Sorry I spent the money - want the time back.
This review is from: The Kids Are All Right (Amazon Instant Video) Don't bother with this movie if you think it's a movie that does justice to same-sex couples. First this movie insults lesbians by insisting that they really want men and what men have to offer anatomacally. The only way that Nic and Jules can have sex with one another is by watching gay male porn. I wonder how many lesbians the writers bothered to poll to come up with that nonsense. After Nic and Jules' children decide to track down the sperm doner who spawned them, in typical straight person fashion, no lesbian would be a lesbian if only she had the right man to show her....blah.....blah....blah. Because we all know that a bored lesbian is going to jump the bones of any man who has a conversation with her. Right? Yeah, because that happens all the time. In further ridiculousness, they end the movie by insisting that Nic shouldn't toss Jules' back side to the curb because they're too old to find anyone else. So, it ends happily ever after.Give me an F-ing break!
30 April 2012
Not alright
The idea of even introducing into this movie a scummy creep that demands his "friend" hold down an innocent stray dog so he can pee on the dogs head is so perverted and deplorable. What does that say about the thought process of making this movie? You have lesbians raising a family & then meeting the sperm doner. What in the name of God does such animal cruelty have to do with the script? Disgusting writting & appalling critics that raved so much about this movie. They didn't need to include that scene.
12 April 2012
I'll be generous - I would rate it 3.5 stars
Though The Kids Are All Right never surpasses the threshold of greatness, the film is an intelligent take on familial and romantic relationships. While Nic (Annette Bening) and Jules (Julianne Moore) struggle with their marriage, their daughter Joni (Mia Wasikowska) faces graduation. Meanwhile, their son Laser (Josh Hutcherson) contacts his biological father, the free spirited Paul (Mark Ruffalo) who donated sperm when he was a young man. As Paul is increasingly intertwined in his "children's" lives, his role in the family becomes more complex.There are no villains here. Nic's controlling nature is somewhat overemphasized, but Bening remains sympathetic and humorous. Moore is likewise engaging as the appealing but insecure Jules. Ruffalo is excellent as the laid back Paul. His unexpected reactions to having a family of sorts are fascinating but a tad underdeveloped.Joni and Laser are perhaps the most well drawn characters. In fact, their stories could have been explored more. The siblings have a close but imperfect connection. They are sarcastic, naive, endearing, and a refreshing departure from unrealistic teenage stereotypes.The Kids Are All Right touches on everyday questions of patience, disappointment, and love. The movie sometimes strains to find the right amount of quirk, but it's a rare film that is both enjoyable and smart, and thus worth seeing.
11 April 2012
A REMARKABLE ORIGINAL WELL MEANT FILM.
Before I begin let me just start by congratulating the director on an exceptionally well thought out cast. I mean I liked all the characters in the film and continuity was super. Mark Ruffalo must be having a really good personal life or something because he has come a long way from the man standing in the shadows of a shot -> to a man who can just about carry such a difficult role with such ease. It aches me to see that films like this don't get enough recognition when you compare their success with BLOCKBUSTERS. Anyway, the film has the kind of TITLE which would make me watch it anyway unless it was an animation, then I'd think twice. Mark Ruffalo gets my honors for playing the role of PAUL with remarkable ease and my heart warmed to his character very early in the film .Moving on, Annette Bening - well - where does one begin. She's definitely the star of the film besides the older of the two child actors. Julianne Moore has come along way but age has not taken away from just how contemporary and sexy her look is in some scenes of the film. This film is more than the storyline will throw at you. It talks about loneliness, togetherness, love, lust, sperm donation, questioning your kids sexuality and such random things in life without ever discerning the viewer. I also loved the character names of JONI and LAZER and not to forget JULES.Running with Scissors and The Upside of Anger are EXAMPLES of similar films that tried hard but failed to move me but THE KIDS ARE ALL ALRIGHT is where the FILM-DIRECTOR (if I can put them all in one bracket) gets it right.Anybody who misses the charm of films like LITTLE MISS SUNSHINE. STEP MOM or let's say THE SQUID AND THE WHALE will not be disappointed by this film.This is the sort of film HBO will play for the next decade or two.PS - it was good to see an indian kid play a small/ half important role
movie evangelist 07 April 2012
Review: The Kids Are All Right
The Pitch: My Two Mums.The Review: Whenever awards season rolls around, the trend in morerecent years has been towards at least one movie which may as well havebeen called "For Your Consideration". The likes of Little Miss Sunshineand Juno, not to mention almost the entire output of Wes Anderson, seemto have a slot reserved for Oscar contention, into which this year'soffering will slot. So this year's award magnet seems to be The KidsAre All Right, which has dipped into the bin of indie script ideas thatproduced dysfunctional family (Sunshine) and teenage pregnancy (Juno)and has now pulled out lesbian parents.Often, the indie of the year will be an opportunity to finallyrecognise an older actor (Alan Arkin) or to give an up and coming theirbig break (Ellen Page). This year almost feels like an attempt to doboth; Julianne Moore and Annette Bening have seven Oscar nominationsbetween them and both get roles to get their teeth into, with bothdelivering characters that sit well in comparison with their previouslynominated performances. Mark Ruffalo, one time MTV award nominee andsoon to be third choice Hulk, might feel a little put out at beingdescribed as up and coming but his star is certainly on the rise, andit's actually Ruffalo who gives the most rounded and likable centralperformance, but is most likely to get lost in the more crowded maleaward categories come next year.The narrative itself is also a little uncomfortable in places; areference to straight actors in gay roles early on in proceedingscouldn't be more knowing or self-referential if Julianne Moore turnedto camera and winked, and that's not the only occasion on which thefilm is guilty of having its cake and trying to eat it. The actorsinvest plenty of emotional honesty into their performances, it's just ashame that there is the odd occasion where it all feels a bit forced.Stick with it, though, and eventually the drama feels earned and thegood work of the whole cast starts to bear fruit.In the pantheon of indie Oscar movies, it never reaches the heights ofSunshine or Juno, maybe because it is trying just a little too hard atpoints. It is generally positive and uplifting rather than cynicalabout the various forms that modern family life can be found in, anddoesn't judge or preach. As long as you go in with the expectation ofexcellent actors elevating some decent if unspectacular material to anoticeably higher level but never reaching true greatness, then youshouldn't go far wrong.Why see it at the cinema: Cholodenko's direction isn't hugelycinematic, but the drama will benefit from having space to breathe oncethe early self-consciousness is out of the way.The Score: 8/10
06 April 2012
LLLLLLLLLOVED it!
The more I watched, the more I loved it. The way it goes, the way everything unfolds....it's great. Very enjoyable work. Julianne Moore is among my favorite actors.She's always amazing and the more I watch her, the more I fall in love. HEr relationship with Nic seems so true. They are both great. Interesting, unexpected twist with sexy Ruffalo.....I thought it was a great movie. Solid. Emotional.
tavm 05 April 2012
Annette Bening and Julianne Moore lead a fine ensemble in The Kids Are All Right
In a departure from our usually seeing mainstream movies, my movietheatre working friend and I decided to watch The Kids Are All Rightafter finding out the Cats and Dogs sequel started later than wethought. We were both very glad we did since we both found the wholething funny and touching throughout (I especially noticed when myfriend seemed to cry during some scenes). And what a compellingly castof characters we have here: Annette Bening as Nic and Julianne Moore asJules-the lesbian parents, Mia Wasikowska as Joni and Josh Hutchersonas Laser-their offspring, and Mark Ruffalo as Paul-the sperm donor whogets contacted by Joni and Laser. Having read many comments aboutdissatisfaction with the way certain things go for some of thesecharacters, I can understand where many of them are coming from. Butwhile watching, all I could think was, "Wow! This is so not going theway a Hollywood production would go." I mean, did anyone think Paul wasgoing to get any satisfaction after everyone finds out about his affairwith Jules? (Though I agree she's at much at fault as he is.) Thatsaid, it's quite refreshing that not everything is tied up in suchlittle neat and happy pat endings in order to send audiences in smilesafterwards. I admit, though, that it was nice for co-writer/directorLisa Cholodenko to provide some sort of closure at the end when shedid. P.S. Mia Wasilowska is sure having a good first year ofrecognition what with with both this and her earlier turn in TimBurton's Alice in Wonderland.
w112th 04 April 2012
great [!]
my other half and i found this movie wonderful -- even it some partsand characters hit a little close to home [ some might call me'nic'-like] -- and the dialogue contains one or two gems which maylikely leak into popular vernacular [ e.g. 'thanks for counting'] thestrongest suit perhaps of the film are the performances, particularlyannette bening who seemingly refuses to give anything less than anOscar-worthy performance. julianne moore, as always does well with acharacter which one imagines is the diametric opposite of herpersonality ]; josh hutcherson is a sturdy actor as well as greateye-candy, while mia was. may clearly be one to watch closely as thisyoung lady communicates effortlessly as actress.and for those fault the film for lacking some definitive blockbusterending or story development: this film documents about 2 months in thelife of a family and well tells its story of the intricacies andnuances of what could believably happen during this course of time in afamily -- any family, gay, straight or other -- and how a familysurvives ...well done, ms. chodolenko ...
23 March 2012
UNIQUE FAMILY CONNECTIONS
Some of my explorations here include the movies I've seen and enjoyed. Recently I saw "The Kids Are All Right," starring Julianne Moore and Annette Bening.I was actually surprised when the movie came to my neighborhood mall, much less my city. Here in the Central Valley, we are often left out of the mix when it comes to quirky movies (or anything even remotely unconventional).I had expected to enjoy it, but didn't have my hopes up too high, as sometimes I am disappointed. So imagine my relief to find that, not only did it surpass my expectations, but I was so into it that I wasn't bored for even a moment. Sometimes movies that are about particular themes or topics will be predictable. But not this one. Even though there was the inevitable adolescent angst, followed by the search for the absent father, this one had the unique twist of a family headed by two "moms," who had used a sperm donor.In fact, each mom had one of the kids and they both used the same donor. Makes the search easier.Mark Ruffalo starred as the "sperm donor," who incidentally was quite interested in forming a bond with the kids.The kids invite him to their house with the moms and they all start to form a friendship of sorts. Jules, the character played by Julianne Moore, has just started a landscape business, and Paul (dad) conveniently hires her to landscape his yard.Okay, I saw the next bit coming...sort of. But I won't describe what happens.Suffice it to say that a lot of chaos ensues.Throughout the movie, I most enjoyed the interactions between the family members and absolutely loved seeing the homey backdrop to the family moments. It doesn't hurt that the other mom, Nick, played by Annette Bening, is a doctor, so the digs are very nice indeed.I'm definitely preordering this DVD.
taupo19 23 March 2012
Purile nonsense
Why do so many American family dramas portray life in this way -Essentially all the family members have issues but, at core, are decentwarm sensitive human beings, Yuk, yuk, yuk. There was not one moment inthis entire movie where (non-American dream) reality peeped in. Why doall the kids have rooms the size of football fields - the beautifulhouse, big car, a truck? Why did Mark Ruffalo need to be so successful?He could have worked in a supermarket and have been a nobody. It wouldhave been more interesting,and why did he need to be surrounded bybabes. Why was the daughter an A grade student and the son finding hisway to common sense at 15? Such an American bubble. Family life canhave conflicts that are never resolved - three nights on the couchdoesn't generally mean that your life partner forgives you for thegreatest betrayal. The kids are far more likely to be like theirfriends then the 'little angels' as portrayed. The acting wasprofessional, as you would expect, but the story pure saccharine. It'sthe way the American audience wants life to be and not the way it is.Very disappointed.
19 March 2012
Really Hated the Ending
Just seems this story was written by a couple of disgruntled, man-hating lesbians. Felt bad for the Ruffalo character at the end, and was surprised there wasn't some sort of closure that allowed him to be seen as anything more than the interloper Bening's character so nastily called him. (I guess that was supposed to be her "triumphant moment" - proving herself right all along about his "full-of-himself" character, and putting him in his PLACE, by GOLLY!) He was not an interloper. What happened was not all his fault. And he didn't go looking for that family - the kids went looking for him. I thought the acting was great and the story too. But the ending was totally unsatisfying. I felt cheated, both for myself, and for Ruffalo's character.
18 March 2012
"The Kids are All Right" is more than just all right
The traditional family drama gets a provocative twist in this year's preeminent romantic dramedy The Kids Are All Right. Oscar nominees Julianne Moore and Annette Bening star as a gay married couple with two kids trying to battle the throes of their relationship when their kids decide to get curious about their biological father. Jules and Nic (played by Moore and Bening, respectively) are slowly drifting into their own marriage hell when the lethal mix of emotional distance, Nic's dominance and Jules's submissiveness rear their ugly heads. Then their children Joni (Mia Wasikowska) and Laser (Josh Hutcherson) decide to seek out their Dad out of sheer curiosity during Joni's last month at home before she heads to college. The distance between their parents grows even further when the mere addition of the cool, motorcycle-riding dad Paul (played by Mark Ruffalo) threatens to disrupt their tight family unit. The impact Paul has on the family causes Nic to suspect that he may be causing her family to crumble like a stack of cards. But, like in any family drama. what doesn't kill them makes them stronger in the end. Moore and Bening shine in this poignant film with Moore nailing her signature performance of a woman holding on to her last string of hope and Bening letting her fear of losing her family dictate her actions. Together the performances mark the perfect recipe in a beautifully written story is both funny in the most surprising parts and touching when it needs to be.
17 March 2012
Clever
This movie was true to life in a clever way. Forgiveness is depicted in a raw fashion that shows the level of forgiveness that humans have.
16 March 2012
This is an Overated film
I know I'm not the only one who is thinking this, but this movie has been seriously overrated by the critics. Don't get me wrong. The movie was entertaining and it kept my attention. I'm just not convinced that its the ground breaking movie that the critics have been trying to make it out to be.I've seen this type of movie many times before. A happy family is living the good life. The "parents", although different in personality and ambition, are a functional and happily married couple. They have two really good kids who seem to be happy. The wrinkle(there is always a wrinkle) is that the two children are byproducts of artificial insemination. Yes, their parents are two gay women. Twenty years ago, a movie such as this may have been a seminal movie that was capable of inciting vigorous debate about a controversial social issue, like the criticism of Murphy Brown did in the 80's after Dan Quayle criticized her show because it focused on single motherhood. The problem with this movie is that its general plot is not all that new. This type of movie has been done before, and it has been done a lot better. Maybe the circumstances of the characters have changed, but the alternative circumstances of characters did not add to the originality of the film.The principle players in the film are all proficient in their roles; however, I cannot honestly say that anyone really stood out in this film. And yet Mark Ruffalo and Annette Benning receive Oscar nominations for their performances. They have both been in movies in which they have performed better. Julianne Moore is good, but she hardly stood out. And the kids were the kids. Perfectly serviceable, but again not great. So I fail to see what is so good about this movie. Also, I would think that if you were a gay woman you might be somewhat offended by this film. Julianne Moore is in a committed relationship with another woman for years, and then all of sudden a male paramour suddenly enters her life and she forgets that she is a lesbian and starts to have sex with the male. This was an unbelievable plot twist. So, see the movie on Blue Ray or DVD if you want to. Like I've said before you won't be bored. Just don't expect to have your mind blown.
12 March 2012
I hated it, but after thinking about it, I love it.
Right after watching this movie, I hated it. The theme seemed to be that a family should be submissive to the will of the domineering, hypercritical partner/parent. However, after a couple days thought, I realized that I had misunderstood the ending.I made the stupid error of assuming that a lesbian writer/director would automatically love all lesbians and hate all men.The superficially "happy ending" that so angered me at first was actually intended to be a tragic ending. That made this a truly great movie.
gavin6942 12 March 2012
Enjoyable Film, Though By No Means a Best Picture
A lesbian couple (Annette Bening and Julianne Moore) with two teenagechildren are having a rough patch in their marriage. Things get evenrockier when their daughter (Mia Wasikowska) tracks down the spermdonor (Mark Ruffalo) and begins to pursue a father-daughterrelationship. And then things get weirder...First and foremost, I have to say that this film shows what is wrongwith the way the Oscars nominate best picture. By having ten nomineesrather than five, you end up getting a few that should not make thecut. This film is one of those. It is a fine film, I enjoyed it, it hasa unique story... but I have a hard time believing any critic or anyAcademy voter actually thinks this was the best film of 2010.As unique as the film was, it suffered from a few missteps. It runs abit longer than necessary (perhaps five to ten minutes, as the pacingcomes to a crawl a little after halfway) and the plot becomes topredictable at too many places. Also, their son is named Laser (playedby Josh Hutcherson). This seems to actually be his name, as no one evercalls him anything else. What a terrible, terrible name.Again, I applaud the film for its unique story, and its use of rawsexuality (that is more of Mark Ruffalo than I ever though I wouldsee). It is hard to tell sometimes if the sex was integral to the storyor gratuitous. I thought at least one sex scene could easily have beencut. And the exploration of the broad range of sexuality wasinteresting: do lesbians watch gay porn? I would not have thought so,but apparently they do.The film is a winner overall, though not flawless. I feel that theending (which I cannot give away) is both a success and a fail. Thereare many questions raised by the film that are never addressed: whilethat leaves me without closure, perhaps it also gives power to theaudience to make their own decisions (not like "A Serious Man").
charnelgroundcoyote 10 March 2012
Boring, flat and uninteresting
I was excited to see this movie with actors I really admire and whoalways bring power to their roles. It had promise ie: Oscar nominationsand all, but after about 3 min. I knew I was in for a long boring haul;something like driving through Kansas at 30 mph. My God, the characterswere not interesting, nor was their "dramatic" situation. The "action"was predictable, unbelievable and boring. Nothing was at stake. Therewas no drama. The two moms were caricatures and not believable. Thisseemed to be Hollywood's idea of a upper/middle class family and theonly thing interesting about them is that there were 2 Moms. So what?The only character/actress of interest was the young girl. She's awonderful actress and I look forward to seeing more of her. The writercould have upped the ante by having the sperm donor dad hit more onher. The energy was there between the two characters but I suppose thatwould have been too creepy. Creepy but at lot more interesting then thedrivel she chose to put up on screen.
09 March 2012
the dim future and BLURAY
if this bluray is any indication of what will get PUSHED upon home movie watchers...then count me out.this disc spends minutes of time wasting delays trying to find an internet connection.i dont have my player connected to the internet.i NEVER plan to connect my player to the internet.why do i want to 'interact' with others while watching a movie?is it necessary for the attack on consumers to seep into every crevice of our lives?the answer to this question is "NO".the reality is that the corporate machine will not cease until it does just this.isnt it enough that we must sit through all the copyright warnings...in multiple languages.[with no option to fast forward or skip!]nobody reads this crap.you gotta believe that the piracy people dont read this crap.whats the point?now we must wait for our disc to make attempts to 'connect' to the world of higher consumption.the actual movie is becoming secondary to all of this corporate greed.stop.please stop.i am beginning to miss VHS.r|z