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Download, Watch online When Strangers Marry Movie.
| Genres: | MysteryFilm-N |
| Starring: | Kim Hunter, Dean Jagger, Robert Mitchum, Neil Hamilton, Lou Lubin, Claire Whitney, Virginia Sale |
| Director(s): | William Castle |
| Country: | USA |
| Year: | 1944 |
| IMDB Rating: | 6.8 |
A naive small-town girl comes to New York City to meet her husband, and discovers that he may be a murderer.
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When Strangers Marry (iPod) | Resolution: 480x368 px | Total Size: 217 Mb |
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When Strangers Marry (DivX) | Resolution: 640x480 px | Total Size: 954 Mb |
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Movie Photos: We have taken some photos of "When Strangers Marry". They represent actual movie quality.
Visitor Reviews: (20)
14 May 2012
"Betrayed (1954) ... Gable/Turner/Mature ... Gottfried Reinhardt (Director) (2009)"
Metro-Goldwyn-Mayer (MGM) presents "BETRAYED" (1954) - (108 min/B&W) -- Starring: Clark Gable, Lana Turner, Victor Mature, Louis Calhern & Wilfrid Hyde-WhiteDirected by Gottfried ReinhardtDuring World War II, intelligence agent Col. Pieter Deventer (Clark Gable) is ordered to keep tabs on suspected Nazi collaborator Carla Van Oven (Lana Turner). Both Pieter and Carla join the Dutch underground, making contact with a flamboyant resistance leader known as "The Scarf" (Victor Mature). Carla poses as a sexy chanteuse, the better to gain the confidence of the lascivious Nazi officers. Within the next few weeks, several underground operatives are captured and shot, and it begins to look as though Pieter's suspicions concerning Carla are correct. The real collaborator is revealed some twenty minutes before the finale, but the suspense level is expertly maintained throughout. The location-filmed Betrayed would later be mercilessly lampooned in the 1984 spy spoof Top Secret!Gable, Turner and Mature - not one of their best outings...but still watchable.Special footnote: -- Clark Gable's last picture under his MGM contract. He first signed with the studio in 1930 (he'd first appeared at the studio as an extra in The Merry Widow). By the 1950's his box office was spotty and MGM found it difficult to justify his $500,000 per year salary. Gable too was anxious to enter into far more lucrative percentage deals and would do so exclusively for the remaining 6 years of his life. Although the movie proved to be a critical and commercial failure, Clark Gable was able to remain a Top 10 Box Office attraction for 1954 thanks to a successful re-release of Gone with the Wind.BIOS:1. Gottfried Reinhardt [aka: Gottfried Goldmann] (Director)Date of Birth: 20 March 1913 - Berlin, GermanyDate of Death: 19 July 1994 - Los Angeles, California2. Clark GableDate of birth: 1 February 1901 - Cadiz, Ohio,Date of death: 16 November 1960 - Los Angeles, California3. Lana TurnerDate of Birth: 8 February 1921 - Wallace, IdahoDate of Death: 29 June 1995 - Century City, California4. Victor MatureDate of Birth: 29 January 1913 - Louisville, KentuckyDate of Death: 4 August 1999 - Rancho Santa Fe, CaliforniaMr. Jim's Ratings:Quality of Picture & Sound: 3 StarsPerformance: 3 StarsStory & Screenplay: 3 StarsOverall: 3 Stars [Original Music, Cinematography & Film Editing]Total Time: 108 min on DVD ~ Metro-Goldwyn-Mayer (MGM) ~ (June 22, 2009)
MARIO GAUCI 14 May 2012
WHEN STRANGERS MARRY (William Castle, 1944) ***
William Castle's first noteworthy effort (incidentally, the copy Iacquired bore a new title - BETRAYED!) was made at Poverty Row studioMonogram within a genre he would intermittently return to until thegenial director saw he could particularly make a mint with Horror. Itis a noir with a distinct Hitchcock feel: in fact, the plot bearsobvious nods to both SUSPICION (1941) and SHADOW OF A DOUBT (1943), amurder attempt is borrowed wholesale from FOREIGN CORRSPONDENT (1940),and there is even Castle's own 'appearance' (which is actually treatedas a recurring in-joke here!).It was an equally important film for Robert Mitchum, not only becauseit showed that his star was definitely rising but in view of the factthat the ultimate revelation as to his character's true nature would bereworked in some of his later (and most impressive) work. Curiouslyenough, I was under the impression that he would be the suspectedmurderer husband  but the way things played out, I must congratulatethe scriptwriters (including Philip Yordan) on their ingenuity. Leadinglady Kim Hunter (ideally cast as the fresh-faced bride) had just comeoff the Val Lewton production THE SEVENTH VICTIM (1943), while DeanJagger has an atypical lead role (it is even more unusual to see himsporting a full head of hair!)  their awkwardness is never moreeffectively delineated than when they find themselves stranded inside aHarlem nightclub (showcasing an over-enthusiastic black dancer). Alsoon hand is Neil Hamilton (later Commissioner Gordon in the campy butpopular BATMAN TV series of the 1960s) already in his element as aPolice Inspector; incidentally, his ambivalent relationship withMitchum throughout pays off in droves during the frenzied climax.Despite the evident economy of means, the film still displaysconsiderable style along the way (atmospheric chiaroscuro lighting,effective low-angle shooting, an imaginative hallucination sequence,etc.); the role-reversal in the opening and closing scenes is a nicetouch, too. For the record, I own several more of Castle's (by allaccounts, lesser) noirs but I probably will not have time to fit any ofthem in my current schedule...
12 May 2012
Betrayed
This review is from: Betrayed (1954) (DVD) I enjoy itvery much a well made movie. I do like old movie I give it 4 stars
12 May 2012
Gable and Turner in their last film together
"Betrayed" is a 1954 color World War 2 spy film starring Clark Gable, Lana Turner and Victor Mature.Clark Gable (1901-60) plays a Dutch intelligence officer. Gable was one of the biggest stars of the 20th century, and a pretty good actor to boot. We remember him best as Rhett Butler for "GWTW" (1939), for which he received one of his three Oscar nominations (the others - 1935's "Mutiny on the Bounty" and 1934s "It Happened One Night"). My favorite Gable flick is "Run Silent Run Deep" (1958).FWIW - This was Gable's last film under his MGM contract.Victor Mature (1913-99) made his film debut in 1940 in "One Million BC" and unfortunately this typecast him forever as "beefcake", despite some good performances in "My Darling Clementine" (1946), "Kiss of Death" (1947), "and "The Robe" (1953). Here he plays a flamboyant resistance fighter.Sultry Lana Turner (1921-95) is best remembered for her roles in "The Postman Always Rings Twice" (1946), "The Bad and the Beautiful" (1952), and "Imitation of Life" (1959), although it's her performance in "Peyton Place" (1957) for which she received her only Oscar nomination. Here she plays a spy who may be a counter spy working for the Nazis.FWIW - Turner and Gable were the biggest stars of the 40s and when they appeared together in their 3 films - "Honky Tonk" (1941), "Somewhere I'll Find You" (1942), "Homecoming" (1948) - they were described as "an alley cat with a sex kitten", perhaps because in addition to the on screen chemistry, they were having an affair in the early 40s.Louis Calhern (1895-1956) plays a General. Calhern was nominated for an Oscar for "The Magnificent Yankee" (1950). He was in more than 70 films and gave memorable performances as Buffalo Bill in "Annie Get Your Gun" (1950) and a Nazi spy boss in "Notorious" (1946). I liked him best as the criminal attorney in "The Asphalt Jungle" (1950).German born Gottfriend Reinhardt (1913-1994) directs. This was the third of the 13 films he directed. His most famous film was "Town without Pity" (1961).The top grossing films in 1954 were "White Christmas", "20,000 Leagues Under the Sea", "Rear Window", "Carmen Jones", and "The Caine Mutiny". Bogart had 2 films in the top 10 as did Bing Crosby. The big Oscar winner was "On the Waterfront" (Picture, Director, Actor, Supporting Actress). Other notable films released that year were "Dial M for Murder", "The Creature from the Black Lagoon", "Godzilla", "The High and the Mighty" and "Johnny Guitar".The film was a box office and a critical disappointment. Bosley Crowther at the NY Times called it "fancy fiction" and "tedious" but he did praise the photography which he called "beautiful, impressive to behold". He described Reinhardt's direction as "aimless".Bottom line - fans of Gable, Turner, and Mature will enjoy the film, but otherwise it is a less than average spy thriller.
05 May 2012
The love , the patriotism and the duty !
Clark Gable , Lana Turner and Victor Mature compose this absorbing film .It deals with the fiercy Dutch resistance movement against the German occupation .Lana Turner will appear to Gable as the real traitor . Somehow the plot will reveal unexpected realities .A honest film .
Igenlode Wordsmith 05 May 2012
Much more than I bargained for
I wouldn't have believed that this film could run barely over an hourin length; in the course of its 67 minutes, it crams in more plottwists, emotional punch and sheer tension than recent blockbusters canmanage in 200 or more, with never a wasted moment... but no lack,either, of aching silences and endless hours at night. As the innocent,idealistic young wife adrift in a city and world utterly alien to her,Kim Hunter carries the whole film with a performance of breathtakingconviction. She is scarcely off-screen from start to finish, as thecharacter grows and matures both in confidence and desperation, and ourassumptions about the outcome shift off-balance from one moment to thenext. 'When Strangers Marry' is without a doubt her film. It's also anemotional roller-coaster, a gripping piece of noir -- and,unbelievably, a no-budget miracle shot in just seven days.Robert Mitchum, in an early role, is a little wooden but cruciallyeffective in the part of the former suitor who provides a steadyshoulder for his one-time fiancée to lean on, and Dean Jagger issuitably elusive as the longed-for husband who is all but a stranger,but it is Hunter who really stands out here. I wasn't expecting muchfrom this film but was absolutely swept away by it: an example aboveall of how to do a Hitchcock on Poverty Row.
GManfred 01 May 2012
Lousy Film Noir
This picture sounds a lot better than it actually is. Given the bigname cast and Director, expectations are high but it doesn't deliver.One big flaw is the storyline, which is completely preposterous andwith some of the most absurd contrived coincidences in the annals ofmysteries. 'Betrayed' is disguised as a film noir but it is a feebleattempt at melodrama using 40 watt light bulbs to create film noirambiance. (for the record, I've tried 6 times to spell ambiance thecorrect way, -ence, but the website won't take it).I think the main culprit is Castle, who allows his story to stop atunexplained dead ends and manufactures situations for his players whichdon't hold water and make good actors look bad. And there is not onelick of tension or suspense in any scene in the picture.It is a Monogram production and the lack of a big budget isunderstandable, but comparisons between Castle and Hitchcock arelaughable. With such material, Hitchcock could have gotten at least anAcademy Award nomination - or at least a coherent plot.Can't recommend it, and if you get a chance to see it, miss it. Or,catch it and see if you, too, feel IMDb's present rating of 6.8 is wayoff the mark.
emdragon 30 April 2012
contrived melo-drama
I have to say, I've seen some lame movies in my time, but this onetakes the complete cake. Every device that the film makers came up withis contrived from some completely implausible source. A woman marries aman that she barely knows. A murder is committed at a salesman's hotelin Philadelphia. Every indication is that the murderer is the woman'snewly married husband. Except that after making him look completelyguilty for most of the picture, we find out he did'nt do it. Themelodramatic music does'nt help this picture any either. Up until thereal murderer's identity is revealed the audience does'nt even get tosuspect that they are watching a whodunit. And for some reason when theyoung couple is on the lam in New York, random people continuallysuspect that it is precisely THEM who are guilty of something thathappened in Philadelphia, even though a vague remote description givenover the radio is all anyone would have to go on IF they had beenlooking out for the culprit in the first place. It makes virtually nosense, is totally implausible, and defies description for plotstupidity.
30 April 2012
War movie about the Dutch underground
Studio: Metro-Goldwyn-Mayer Video Release Date: December 11, 1991Cast:Clark GableLana TurnerVictor Matureothers Gable is Dutch intelligence working under the Brits, training Lana Turner to work in Holland with the underground. She has a questionable background, but he trusts her. When people begin to die, and operations go awry, he begins to doubt her.Victor Mature is also a member of the underground, called "the scarf," because he wears one, flamboyantly.It becomes a question of which one is the traitor.Not a bad film in the genre. Nothing special about it, except the cast. They all do their jobs well.Joseph (Joe) Pierre author of Handguns and Freedom...their care and maintenanceand other books
bmacv 29 April 2012
A tight, tense little thriller that helped consolidate the noir cycle
Like My Name is Julia Ross, another quick-and-dirty damsel-in-distressmovie, When Strangers Marry helped lay down the blueprints for what wouldcome to be called film noir. Kim Hunter has just wed a patron (Dean Jagger)of the restaurant where she waited tables without knowing much about him;off on a vague business trip, he asks her to meet him at a New York hotel. His evasive actions are enough to raise suspicions even in a naive Ohio gallike her -- he makes her wander the streets of wartime Greenwich Village atnight (as she did a year earlier in Val Lewton's The Seventh Victim). Anold man-pal (the very young Robert Mitchum) happens to turn up to keep aneye on her strange marriage in the big bad city. But there are recurringlinks to the silk-stocking murder of a businessman in Philadelpia a few daysbefore.... William Castle, best known as a 1950s schlockmeister (13 Ghosts,et al.) shows himself to be a keen apprentice here: There's a sceneinvolving a glass-paned hotel mail chute that is almost Hitchcockian.
dougdoepke 22 April 2012
Many Imaginative Touches
Check out that unsettling scene in the lonely police waiting room.Little guy Houser (Lubin) sits on one side and vulnerable newly-wedMillie (Hunter) sits on the other with a big empty space between. It'sa great visual metaphor for the danger facing our young stranger in thecity. A hostile world appears on one side and poor Millie all alone onthe other. Even little things work against her in the big, impersonalsurroundingsÂthe unhelpful news guy, streetlights suddenly going out.Then too, those spare sets from budget-minded Monogram fairly echo withundefined menace.From such atmospheric touches, it's not hard to detect the influence ofVal Lewton's horror classic The Seventh Victim (1943). At the sametime, the movie's director William Castle was a moving force behind thebrilliantly unconventional Whistler series from Columbia studios. Sothe many imaginative touches here, like the lunging lion's head thatopens the film, should come as no surprise.Despite the overall suspense, I had trouble following plotconvolutionsÂwho was where, when, and why. But then the screenplay didhave four writers, which is seldom an asset. Still, the mysterioushusband (Jagger) and Millie's suspicions does generate core interest.In my little book, the main appeal is in the players and theatmosphere, such as the winsome young Hunter, a virile young Mitchum,and the jazzy Harlem nightclub. All in all, the sixty-minutes remains aclever little surprise from poverty row Monogram.
22 April 2012
Review the film and not the quality of the transfer, please!
First, I did not buy this product but 'burned' a DVD off the TCM channel and am watching the film at the moment for the 3rd time or so - this has some of my favorites, i.e. Clark Gable & Lana Turner - Gable despite coming to the end of his career is still great! And, Louis Calhern, another one of my favorite character actors - often one does not realize he is even in a movie (e.g. the uncle in 'High Society' w/ Crosby, Kelly, Sinatra, et al).Second, I would probably rate this film 4* - but the ridiculous 1* rating from one reviewer has wrongly downgraded the overall average deserved. Amazon does not give one an option to rate various aspects of a film (or a musical CD) - this film is excellent regardless of the 'quality' (or lack of it) of the reproduction which is a completely different issue.
22 April 2012
Excellent movie
This review is from: Betrayed (1954) (DVD) This film is one of my all time favorites and I was not disappointed in the copy I received.
donzilla 21 April 2012
A good launch film for Robert Mitchum
This is a Hitchcockian film that reflects well the Film Noir period ofHollywood. Suspense is high, and the audience is kept guessing right to theend about who might be the killer of the drunk good-time Charlie, whoinnocently invited a stranger in a bar in New York to stay in his apartmentfor the evening. Don't be fooled by the original name, though.It is being aired on the premium classics channels under the a.k.a. name"Betrayed".
21 April 2012
Extremely bad transfer and horrible disc quality!
This review is from: Betrayed (1954) (DVD) This CD release of "Betrayed" suffers from image quality notunlike the worst videotape you ever owned. It was hard to getinto watching this film because of how poor it looked on-screen!From now on, I'll think twice about ordering any of these WBarchive titles. It would appear that no attention was paid tocleaning up these films before offering them to the public.
Alex da Silva 21 April 2012
Mail-chute tension
Millie (Kim Hunter) travels to New York to meet with her husband Paul(Dean Jagger). However, he does not show up for a while and when heeventually does, he seems to mysteriously keep disappearing again.Millie's ex-lover, Fred (Robert Mitchum) is also in town and he keeps alook-out over Millie as she tries to discover who the man is that shehas married. She had only met Paul 3 times before they tied the knot.Fools! Playing alongside this mystery is the police investigation ofthe "silk stocking murder" in which a very annoying Sam Prescott (DickElliott) had been rightfully murdered in his hotel room. Can the policeget their man and can Millie find happiness? The film moves at a swift pace and contains some nice shots and goodatmosphere, eg, the Harlem club that Paul and Millie slip into while onthe run together. There are a few liberties that are taken with theplot, eg, the cab driver who suspects Paul of being the "silk stockingmurderer". Why would he think that when there is such a vaguedescription of the killer that is released to the public (he's a tallman)? We watch to discover the identity of the killer and we are sold acouple of red herrings along the way.The acting is alright, nothing great but Mitchum's acting loses itcompletely in the scene by the mail-chute. Watch out for an appearanceby Rhonda Fleming at the film's ending where the cycle seems to bestarting all over again.
20 April 2012
Excellent quality release from WB
Please do not listen to Phil Stout. I almost didn't order this dvd because of his review. I would recommend ordering directly from warner over ordering it here though. The quality of this dvd is not worse than any videtape. You can completly ignore Phil on this movie. The quality is as good as any 50's color movie released on dvd. This is not a CD as Phil states but a DVD-R (burned not pressed dvd). If you have seen other Gable color movies from the 50's the quality is as good or better than Magambo, Soldier of Fortune and the Tall Men. I do have public domain movies on dvd that are as worse as any movie ever released on VHS but this is not one of them.
The_Void 19 April 2012
Good thriller from William Castle
William Castle would of course go on to become best known for hisgimmicky horror films; an oeuvre which includes the likes of House onHaunted Hill, The Tingler and Homicidal - but before then, he made aseries of film noir/mystery thrillers; and When Strangers Marry is oneof those. The film is only just over an hour long and I wouldn't besurprised to find that it was made as a 'B' feature for some biggermovie. However, in spite of that; the production values aren't bad andthe cast all do well also. The plot is rather unlikely and focuses onthe idea of a man and a woman getting married without really knowingeach other. Millie Baxter is the female half of the equation; and shehas been called, by her husband, to New York in order to meet with him.However, upon her arrival; he's not at the hotel, but by chance she isgreeted by her old friend Fred Graham, who clearly carries a torch forher. Fred agrees to help her look for her husband and the pair begintracking him across New York...but it soon becomes clear that there'ssomething sinister surrounding his disappearance.This was an early film appearance for Robert Mitchum, and it's clearthat the producers knew he was going to be a star, although his rolehere is a secondary one. He leads the film from the back and WilliamCastle never misses a chance to give the actor a close-up. It's not theactor's best performance by a long shot, but it shows some earlypromise. Kim Hunter is the female lead and her role gives her a chanceto retread some of the same ground of her debut feature, Val Lewton'smasterpiece The Seventh Victim. As you would expect considering thelength of the film, the story is very tight and there is little in theway of diversions from the main plot line. The main plot itself is justabout good enough to hold interest for the duration of the film,although I can imagine it would become more than a little tedious ifthe film were longer. The ending features a twist in the story; and formy money it's a rather convenient one that doesn't really make sense.There are some attempts to explain it and the holes it creates could bepatched up...but it requires the viewer to suspend some disbelief.Still, there's worse ways to spend an hour and this is a decent film.
madmonkmcghee 10 April 2012
Film Grey
Bargain basement noir with some nice touches, but ultimatelydisappointing. Director Castle simply tries to be too clever and toofaux artistique for such a modest melodrama. It's obvious he'd seenmovies like Stranger on the Third Floor ( a moody masterpiece) andthought he'd figured out the recipe. He guessed wrong: the plot isriddled with holes, the lighting and camera-work, essential to makenoir movies really work, are shoddy and bleak. The sets look likecardboard cutouts that could collapse at any moment, and some actorsfumble their lines or deliver them as if they're John Barrymore. On theplus side Mitchum is his good solid self, but he just doesn't get thechance to be as charming or menacing as he should be. Kim Hunter isengaging, but she only gets to play a lovesick newlywed for the entiremovie, even when the story clearly demands a change of mood. Even whenshe suspects her hubby of being a serial killer, she keeps staringlongingly into his eyes and even helps him escape from the police. Thethings we do for Love! The surprise twist at the end is just toopredictable to forgiveall these faults, and the ending.....surely whenthey're on the rooftop together the killer will.....? Nah, just let thecops nab him posting a letter. That Castle just didn't get it; nowonder he turned to effect-heavy horror flicks. Noir addicts may wantto give this one a look, but probably not more than once.
mark.waltz 09 April 2012
Neat little "B" thriller with a great twist.
Monogram produced a lot of stinkers, but they also had their share ofclassics. "When Strangers Marry" (under its re-release title "Betrayed"for the DVD), is one of the best. Ingenue Kim Hunter, years beforeBrando emotionally screamed "Stella!" to get her attention, plays aninnocent young girl from Ohio who has been married for only a month toa man she hardly knew. In fact, he immediately went on the road onbusiness, and has just sent for her to meet him in New York when shearrives and runs into an old flame (Robert Mitchum). The husbandremains mysteriously out of site for a while, so she gets reacquaintedwith Mitchum before finally encountering her husband (Dean Jagger). Itbecomes apparent the moment he shows up that he is in trouble and maybe the killer of a drunk man he admits to having rolled inPhiladelphia.The fast-moving film noir like mystery presents its facts, adds on acouple more clues, and delivers the truth with a neat little twist thatremains surprising even if it was a bit predictable. Neil Hamilton, anearly 30's leading man (and later the police commissioner on "Batman")is fine as the investigator whom Mitchum and Hunter go to see to findJagger. Hunter shows great promise and within a few years, would goonto film immortality in "A Streetcar Named Desire" and gain cultstatus by donning heavy make-up as Zira in "Planet of the Apes".Mitchum and Jagger are fine as well. This was one of Mitchum's firstmajor roles after tons of walk-ons, and within a year of this, would beone of Hollywood's most popular "tough men", a new breed of leadingactors like Kirk Douglas and Burt Lancaster that would change the wayHollywood made movies. This is a definite must see for fans of '40's"B" features.